What’s the point(e) of ballet? - Ming Luke

How does ballet convey narrative, emotion, and character? Dive into “The Sleeping Beauty” to see how a ballet creates its essential elements. -- A baby cursed at birth. A fierce battle of good and evil. A true love awoken with a kiss. Since premiering in 1890, “The Sleeping Beauty” has become one of the most frequently staged ballets in history. So what makes this piece so beloved? And what exactly does ballet bring to this— or any other— story? Ming Luke shares what makes ballet the perfect medium for stories old and new. Lesson by Ming Luke, directed by Visorama. Animator's website: http://www.visorama.tv/ Sign up for our newsletter: http://bit.ly/TEDEdNewsletter Support us on Patreon: http://bit.ly/TEDEdPatreon Follow us on Facebook: http://bit.ly/TEDEdFacebook Find us on Twitter: http://bit.ly/TEDEdTwitter Peep us on Instagram: http://bit.ly/TEDEdInstagram View full lesson: https://ift.tt/2KwxfZH Thank you so much to our patrons for your support! Without you this video would not be possible! Mehmet Yusuf Ertekin, Arlene Weston, phkphk123321, Jennifer Kurkoski, Ryan B Harvey, Austin Randall, Abhishek Bansal, Jayant Sahewal, Dian Atamyanov, igor romanenko, Jose Arcadio Valdes Franco, Brandy Sarver, Guy Hardy, Tu-Anh Nguyen, Karl Laius, Madee Lo, JY Kang, Marc Bou Zeid, Abhishek Goel, Charles A Hershberger, Coenraad Keuning, Robert Seik, Heidi Stolt, Alexis Hevia, Todd Gross, Brady Jones, Christina Salvatore, Zhong Ming Zenny Tan, Karisa Caudill, Bruno Pinho, Derek Drescher, Mihail Radu Pantilimon, Amin Shahril, Mohamed Elsayed, Barthélémy Michalon, Chumi Ogbonna, Karlee Finch, Mohammad Said, jj5252, Kelvin Lam, Mauricio Basso, Athena Grace Franco, Tirath Singh Pandher, Melvin Williams, Tsz Hin Edmund Chan, Nicolas Silva, Raymond Lee, Kurt Almendras, Denise A Pitts and Abdallah Absi.